Baba
Our senior gay avadhuta
Namaskar,
In the below photo,veteran gay avadhuta Bhaveshananda has just arrived at the recent inauguration of the new Madurai jagrti and innocent sadhakas are putting their forehead on Bhaveshananda’s feet and worshipping Bhaveshananda as a divine being. You can see how the person wearing white pants is bending down to touch Bhaveshananda’s feet. And there is another person in queue to do the same. And Bhaveshananda spreads his hands out over the worshiper’s head as if he (Bhaveshananda) is showering some type of blessing on him.
http://anandamarganewsbulletin.blogspot.com
To read more of Bhaveshananda’s antics, kindly continue reading below.
in Him,
Ratan Chattopadhyay
~ In-depth study ~
Priestocracy dogma: sexually-weak Wt worshipped
For years and years, those so-called Anandas at the helm have imposed the dogma of priestocracy, whereby sexually weak avadhutas are to be worshipped as veritable gods.
http://anandamarganewsbulletin.blogspot.com
Only Parama Purusa is to be glorified
Baba says, “Abhimána is like surápána, gaorava leads to raorava, and pratiśt́há is like shúkariiviśt́há: an inflated ego is like drinking wine, self-aggrandizement leads one into the deepest hell, and social status is like the excrement of a pig. Give up all three of these and only sing the glories of the Lord." (1)
Homosexual wt
Sarvatmananda imposed the custom that B group stooges be received with huge pomp and show. And yes, this is the same Bhaveshananda who as SS allegedly imposed his homosexual desires and had gay orgies. This continued in a concealed way for some time until he was exposed in front of all by one brahmacarii. Ultimately, Bhaveshananda surrendered at the altar of Sarvatmananda and by that way Bhaveshananda hid behind a facade all these years.
Time and again, B group expects and prefers this type of reception where the locals are to kneel and touch his feet, blow conch shells, and engage in all kinds of religious rituals in his honour.
http://anandamarganewsbulletin.blogspot.com
Stooge of Sarvatmananda
This whole situation is sad and pathetic - what to speak of being a divine being, under the direction of Sarvatmananda etc, Bhaveshananda has been a chief accomplice in the tearing down of margii rights and so many other atrocities - along with his own personal debauched behaviour such as indoctrinating simple sadhakas into worshipping him like a god, which goes 100% our approach in Ananda Marga, where only Parama Purusa is to be glorified.
B group has invested huge time and energy indoctrinating simple folk into worshipping B group Wts as gods. In the above photo, Bhaveshananda has just arrived to indoctrinate new sadhakas as they are coming up to him and saluting him as a divine being. You can see how the person wearing white pants is bending down to touch Bhaveshananda’s feet. And there is another person in queue to do the same. And Bhaveshananda spreads his hands out over the worshiper’s head as if he (Bhaveshananda) is showering some type of blessing on him.
http://anandamarganewsbulletin.blogspot.com
On so many occasions, Ac Bhaveshananda Avt sexually molested his subordinate, very junior Wt Aja'tshatru Brc. And always Dada Sarvatmananda saved Dada Bhaveshananda.
References
1. Ananda Vacanamrtam - 23, The Dialogues of Shiva and Párvatii – 3, July 1967, Delhi
The below sections are entirely different topics, unrelated to the above material.
They stand on their own as points of interest.
* * *
Showering bliss on everyone
Note: Only those who sincerely practice the higher lessons of sahaja yoga meditation can understand this song in the depths of their heart.
“Bánsharii bájiye jáy sahás nayane cáy, goloker hari áji gokule liilá racáy..." (Prabhat Samgiita #3658)
Purport:
Today, the Hari of the divine world has manifested His liila in the land of bhaktas. With His sweet will He is moving all around playing His sonorous flute, (omnkara sound) - showering His charming smile and gracious look upon all. With reddish lips, He is beckoning each and everyone. He is saying: “Come close, come to Me - quickly, as soon as possible, come running, so we can play together.” Today that Hari of the abode of satyaloka is showering bliss on everyone. We are so blessed.
Everyone is His kith and kin; all are His own, close, most intimate ones. Nobody is alien; no one is far. By His mercy every aspirant gets Him in their thinking, japa, and meditation. By His causeless grace, now the current of the Yamuná river of bhakti is very high and strong. His enchanting rasa is overflowing and splashing in ecstasy. With His fathomless krpa, the garland of waves is swaying to and fro. All are ensconced in His blessing.
For crushing the dus't'a (demonic people), for saving and nurturing the virtuous and dharmic people, and for destroying the nefarious and deadly demons, He takes advent again and again on this earth. With the rumble, twang, and beating of His kettle drum, He challenges the devilish sinners. He comes as Mahasambhuti. There is no one else in this universe who has such infinite and countless qualities like He. That Hari of the eternal realm is the home of all spiritual attributions. Today, that unparalleled Hari has taken form on this earth. He is with us.
The Lord of the universe has come today with gracious splendour, and He is showering His unique liila upon all bhaktas. He is most kind and ever-affectionate. That loving Hari is calling, “Come one, come all....”
Notes for Prabhat Samgiita #3658:
Liila vs kriid́á
Ananda Marga ideology states, “There is a subtle difference between liilá and kriid́a. When the cause of an effect is easily discernible it is called kriid́a, but when the cause is unknown and only the effect is easily discernible it is called liilá. This creation is the liilá of Parama Puruśa because human beings do not know why He has created it. With the help of their intellect they are eager to know the cause of creation, but will they ever be successful in this quest? They want to solve the riddle of creation, but they have no notion about the cause. So whatever Parama Puruśa does is all His liilá, It cannot be called His kriid́á. I have already said that when one discovers the relation between the cause and effect it is called kriid́á, but when one can see only the effect and not the cause, it is called liilá. For human beings having only a small unit mind the creation is the liilá of Parama Puruśa, but to Him it is His kriid́á.” (1)
Who is Hari
Ananda Marga ideology states, “In Sanskrit, one name of Parama Puruśa is Hari. Hari means “who steals”, “who takes away all your sin without your knowledge”. In Sanskrit, the root verb hr means “to steal”. Now the relationship between the Lord and His devotee is very sweet, and extremely, purely, personal. Parama Puruśa loves His devotee, and the devotee also loves His Lord. Now the accumulated mountain of sin attached to the devotee is unbearable for the Lord. He wants to remove that mountain of sin from His devotees. He may say: “Oh, devotee, give your sins to Me.” The devotee will say: “No, Lord, I am ready to give You everything, I am ready to give You my soul, my spirit, everything, but how can I give my sins to You? I cannot.” But Parama Puruśa loves His devotee, so without the knowledge of the devotee, He takes away his sin. Now to take something from a man without his knowledge is stealing. So Parama Puruśa steals – that is, He takes away sin from His devotee. And that’s why He is called Hari.” (2)
Rásaliilá
Ananda Marga ideology states, “There is another expression of bhakti which occurs when devotees realize that all beings are created from ánanda, exist in ánanda and return to ánanda. This realization causes a radical change in their outlook – no longer can they differentiate between rich and poor, highborn and low-born. They observe an ocean of ánanda flowing within and around all created beings. “Rasa vae sah” – all are flowing in the same rasa, the same ocean of bliss. In that divine flow the devotees see Parama Puruśa dancing with each entity. In philosophy, this dance is called “rásaliilá” [divine play in the flow of bliss]. It does not mean that someone is actually playing a flute with all the humans and cows dancing around Him. Rather, it means that all the entities of this beginningless and endless universe are floating in the ocean of cosmic bliss. There is no place for sorrow since sorrow only exists where petty interests clash and vie with each other. When the devotees clearly understand this they become established in “bhaktiránanda rupáca”.” (3)
When you will hear the sound of flutes
Ananda Marga ideology states, “Then in the next phase, as if somebody is dancing with ghuṋghur [ankle bells]. (You know, ghuṋghur – you use it during the táńd́ava dance. In Sanskrit it is called nupur.) Next you will hear the sound of flutes – as if somebody is playing a flute. Then the sound of the ocean, you know? A particular sound is created by the sea. And then, in the fifth phase, taḿ, taḿ, just like bells, the sound of bells. And finally, the sound is just like ooṋṋṋ – the oṋḿkára in pure form. And after that there remains no sound, because after that there ends the realm, the scope, of Saguńa. After that there is the scope of Nirguńa. In the realm of Nirguńa there cannot be any sound, because there cannot be any expression. Not even divine expression, not even supra-psychic expression.” (4)
In spiritual field what is Yamuná
Ananda Marga ideology states, “Yamuná. Just as there is a Yamuna River in the physical sphere, in the subtle psychic sphere also there is a certain flow which leads microcosms towards Parama Puruśa.”(5)
Note: Up above there is a subheading titled “Rásaliilá” which features a quote from our Ananda Marga books. The publications department wrongly printed one line as “with all the humans and cows dancing around him.” But that is wrong. The quote should read as follows with a capital “H” at the end: “with all the humans and cows dancing around Him.”
References
1. Ananda Marga Ideology and Way of Life - 11, To Know Him Is to Be Free from All Fetters
2. Ananda Vacanamrtam - 34, The Best Mental Engagement
3. Ananda Vacanamrtam - 7, Devotion Is the Life-Force of a Devotee
4. Ananda Vacanamrtam - 30, The Sound of God
5. Ananda Vacanamrtam - 30, Appendix
Postings to Read
in Him,
Ratan Chattopadhyay
~ In-depth study ~
Priestocracy dogma: sexually-weak Wt worshipped
For years and years, those so-called Anandas at the helm have imposed the dogma of priestocracy, whereby sexually weak avadhutas are to be worshipped as veritable gods.
http://anandamarganewsbulletin.blogspot.com
Only Parama Purusa is to be glorified
Baba says, “Abhimána is like surápána, gaorava leads to raorava, and pratiśt́há is like shúkariiviśt́há: an inflated ego is like drinking wine, self-aggrandizement leads one into the deepest hell, and social status is like the excrement of a pig. Give up all three of these and only sing the glories of the Lord." (1)
Homosexual wt
Sarvatmananda imposed the custom that B group stooges be received with huge pomp and show. And yes, this is the same Bhaveshananda who as SS allegedly imposed his homosexual desires and had gay orgies. This continued in a concealed way for some time until he was exposed in front of all by one brahmacarii. Ultimately, Bhaveshananda surrendered at the altar of Sarvatmananda and by that way Bhaveshananda hid behind a facade all these years.
Time and again, B group expects and prefers this type of reception where the locals are to kneel and touch his feet, blow conch shells, and engage in all kinds of religious rituals in his honour.
http://anandamarganewsbulletin.blogspot.com
Stooge of Sarvatmananda
This whole situation is sad and pathetic - what to speak of being a divine being, under the direction of Sarvatmananda etc, Bhaveshananda has been a chief accomplice in the tearing down of margii rights and so many other atrocities - along with his own personal debauched behaviour such as indoctrinating simple sadhakas into worshipping him like a god, which goes 100% our approach in Ananda Marga, where only Parama Purusa is to be glorified.
B group has invested huge time and energy indoctrinating simple folk into worshipping B group Wts as gods. In the above photo, Bhaveshananda has just arrived to indoctrinate new sadhakas as they are coming up to him and saluting him as a divine being. You can see how the person wearing white pants is bending down to touch Bhaveshananda’s feet. And there is another person in queue to do the same. And Bhaveshananda spreads his hands out over the worshiper’s head as if he (Bhaveshananda) is showering some type of blessing on him.
http://anandamarganewsbulletin.blogspot.com
On so many occasions, Ac Bhaveshananda Avt sexually molested his subordinate, very junior Wt Aja'tshatru Brc. And always Dada Sarvatmananda saved Dada Bhaveshananda.
References
1. Ananda Vacanamrtam - 23, The Dialogues of Shiva and Párvatii – 3, July 1967, Delhi
* * *
The below sections are entirely different topics, unrelated to the above material.
They stand on their own as points of interest.
* * *
== Section 2: Prabhat Samgiita ==
Showering bliss on everyone
Note: Only those who sincerely practice the higher lessons of sahaja yoga meditation can understand this song in the depths of their heart.
“Bánsharii bájiye jáy sahás nayane cáy, goloker hari áji gokule liilá racáy..." (Prabhat Samgiita #3658)
Purport:
Today, the Hari of the divine world has manifested His liila in the land of bhaktas. With His sweet will He is moving all around playing His sonorous flute, (omnkara sound) - showering His charming smile and gracious look upon all. With reddish lips, He is beckoning each and everyone. He is saying: “Come close, come to Me - quickly, as soon as possible, come running, so we can play together.” Today that Hari of the abode of satyaloka is showering bliss on everyone. We are so blessed.
Everyone is His kith and kin; all are His own, close, most intimate ones. Nobody is alien; no one is far. By His mercy every aspirant gets Him in their thinking, japa, and meditation. By His causeless grace, now the current of the Yamuná river of bhakti is very high and strong. His enchanting rasa is overflowing and splashing in ecstasy. With His fathomless krpa, the garland of waves is swaying to and fro. All are ensconced in His blessing.
For crushing the dus't'a (demonic people), for saving and nurturing the virtuous and dharmic people, and for destroying the nefarious and deadly demons, He takes advent again and again on this earth. With the rumble, twang, and beating of His kettle drum, He challenges the devilish sinners. He comes as Mahasambhuti. There is no one else in this universe who has such infinite and countless qualities like He. That Hari of the eternal realm is the home of all spiritual attributions. Today, that unparalleled Hari has taken form on this earth. He is with us.
The Lord of the universe has come today with gracious splendour, and He is showering His unique liila upon all bhaktas. He is most kind and ever-affectionate. That loving Hari is calling, “Come one, come all....”
Notes for Prabhat Samgiita #3658:
Liila vs kriid́á
Ananda Marga ideology states, “There is a subtle difference between liilá and kriid́a. When the cause of an effect is easily discernible it is called kriid́a, but when the cause is unknown and only the effect is easily discernible it is called liilá. This creation is the liilá of Parama Puruśa because human beings do not know why He has created it. With the help of their intellect they are eager to know the cause of creation, but will they ever be successful in this quest? They want to solve the riddle of creation, but they have no notion about the cause. So whatever Parama Puruśa does is all His liilá, It cannot be called His kriid́á. I have already said that when one discovers the relation between the cause and effect it is called kriid́á, but when one can see only the effect and not the cause, it is called liilá. For human beings having only a small unit mind the creation is the liilá of Parama Puruśa, but to Him it is His kriid́á.” (1)
Who is Hari
Ananda Marga ideology states, “In Sanskrit, one name of Parama Puruśa is Hari. Hari means “who steals”, “who takes away all your sin without your knowledge”. In Sanskrit, the root verb hr means “to steal”. Now the relationship between the Lord and His devotee is very sweet, and extremely, purely, personal. Parama Puruśa loves His devotee, and the devotee also loves His Lord. Now the accumulated mountain of sin attached to the devotee is unbearable for the Lord. He wants to remove that mountain of sin from His devotees. He may say: “Oh, devotee, give your sins to Me.” The devotee will say: “No, Lord, I am ready to give You everything, I am ready to give You my soul, my spirit, everything, but how can I give my sins to You? I cannot.” But Parama Puruśa loves His devotee, so without the knowledge of the devotee, He takes away his sin. Now to take something from a man without his knowledge is stealing. So Parama Puruśa steals – that is, He takes away sin from His devotee. And that’s why He is called Hari.” (2)
Rásaliilá
Ananda Marga ideology states, “There is another expression of bhakti which occurs when devotees realize that all beings are created from ánanda, exist in ánanda and return to ánanda. This realization causes a radical change in their outlook – no longer can they differentiate between rich and poor, highborn and low-born. They observe an ocean of ánanda flowing within and around all created beings. “Rasa vae sah” – all are flowing in the same rasa, the same ocean of bliss. In that divine flow the devotees see Parama Puruśa dancing with each entity. In philosophy, this dance is called “rásaliilá” [divine play in the flow of bliss]. It does not mean that someone is actually playing a flute with all the humans and cows dancing around Him. Rather, it means that all the entities of this beginningless and endless universe are floating in the ocean of cosmic bliss. There is no place for sorrow since sorrow only exists where petty interests clash and vie with each other. When the devotees clearly understand this they become established in “bhaktiránanda rupáca”.” (3)
When you will hear the sound of flutes
Ananda Marga ideology states, “Then in the next phase, as if somebody is dancing with ghuṋghur [ankle bells]. (You know, ghuṋghur – you use it during the táńd́ava dance. In Sanskrit it is called nupur.) Next you will hear the sound of flutes – as if somebody is playing a flute. Then the sound of the ocean, you know? A particular sound is created by the sea. And then, in the fifth phase, taḿ, taḿ, just like bells, the sound of bells. And finally, the sound is just like ooṋṋṋ – the oṋḿkára in pure form. And after that there remains no sound, because after that there ends the realm, the scope, of Saguńa. After that there is the scope of Nirguńa. In the realm of Nirguńa there cannot be any sound, because there cannot be any expression. Not even divine expression, not even supra-psychic expression.” (4)
In spiritual field what is Yamuná
Ananda Marga ideology states, “Yamuná. Just as there is a Yamuna River in the physical sphere, in the subtle psychic sphere also there is a certain flow which leads microcosms towards Parama Puruśa.”(5)
Note: Up above there is a subheading titled “Rásaliilá” which features a quote from our Ananda Marga books. The publications department wrongly printed one line as “with all the humans and cows dancing around him.” But that is wrong. The quote should read as follows with a capital “H” at the end: “with all the humans and cows dancing around Him.”
References
1. Ananda Marga Ideology and Way of Life - 11, To Know Him Is to Be Free from All Fetters
2. Ananda Vacanamrtam - 34, The Best Mental Engagement
3. Ananda Vacanamrtam - 7, Devotion Is the Life-Force of a Devotee
4. Ananda Vacanamrtam - 30, The Sound of God
5. Ananda Vacanamrtam - 30, Appendix
== Section 3: Links ==
Postings to Read
Baba story: safe during calamities
When doctors are bad
Operative factor when offering
Pure Book & misinformation
