Baba
PP pújá: AMPS
Note: Unfortunately those who do not have Gurubhakti may not understand this point.
Namaskar,
These days a new dogma has started: PP worship. The handlers of PP are always busy in looking for ways to boost their own image. They invent various tricks to do this.
Scene at DMS
Those handlers regularly organise huge pomp and show events in honour of PP’s arrival at DMS, wherever it is held. There are street parades, grand displays, noise-makers, and all kinds of celebratory gestures and dances as if PP is some divine entity. When the fact is that PP is a grand stooge of Rudrananda. But sadly, this is all part of an ongoing theme where the handlers of PP boost his image with naive people and impressionable youths so they (PP’s handlers) can also grab some glory. This is completely contrary to the dharmic path of Ananda Marga ideology and cult of bhakti sadhana.
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~ See below stooges of Rudrananda ~
~ See above stooges of Rudrananda ~
And here is another scene that they often arrange: PP sits on his dais and attendees dance kiirtan around him while PP sits there smiling. Those who do not have sufficient bhakti may not understand this point. But think in this way. Suppose akhanda kiirtan is going on and PP is sitting on an elevated seat or table in the centre of the kiirtan mandap (hall), then will you like to dance around him.
Also, during collective kiirtan, PP comes and sits on the dais while everyone around him in the pandal and on the dais sings kiirtan. And this is all done to convince new margiis and uninformed margiis that PP is the guru of Ananda Marga. This is the indirect message given by this facade.
True disciples give reverence to Guru and those who are fake and pseudo and worthless try to belittle Guru and praise some useless fellows. Mentally they are bankrupt. Even 3rd class disciples do not to such a thing - i.e. belittling their Guru.
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Blow to the sinners
Baba has given Ananda Marga ideology to root out all kinds of religious dogma from this universe, i.e. Hindu dogma, Christian dogma, Islamic dogma, you name it. But now opportunists and degraded avadhuta are step-by-step inculcating and imposing dogmas into our AMPS. If we remain silent onlookers that will defeat the purpose of the creation of AMPS.
Our duty is to raise the voice against all sorts of sinful activities. No matter how much darkness there is, the sunrise is bound to come. Here rings the clarion call for all moralists to unite and =expose the sinners. They will not find any path to run away. Ultimately dharma will be victorious.
Namaskar,
In Him,
Satyendra
Sadguru Baba says, "Intelligent people should no longer remain silent...They must not act like goody-goodies, seeing evil but continuing to tolerate it. This is very bad." (1)
PP never attends basic dharmic duties
Let us recall the history and never forget that from the beginning, PP skipped so many fundamental dharmic practices.
(a) PP Vishvadevananda never attends dharmacakra;
(b) PP Vishvadevananda never sings Prabhat Samgiita while sitting on a common seat for all in the dharmacakra hall;
(c) PP Vishvadevananda never stands and dances or sings kiirtan in the DC hall;
(d) PP Vishvadevananda never participates in akhanda kiirtan;
(e) PP Vishvadevananda never does madhura sadhana;
(f) PP Vishvadevananda never attends paincajanya;
(g) PP Vishvadevananda never sits on a general seat for Guru Puja; he never sits on the common carpet for all in the DC hall.
(h) PP Vishvadevananda never raises the slogan, Parama Pita Baba Ki – Jai, for Baba when others were also raising the slogan.
(i) PP Vishvadevananda never attends DMS kiirtan, rather he leaves the hall / pandal.
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Ananda Marga ideology guides us, “You are to attend Dharmacakra weekly. These are all codes of discipline as prescribed by Bhágavata Dharma. You must follow these codes. There cannot be any concession in this respect, rather concession is dangerous…One may be a king or may be a very poor man, but the code of dharma is equally applicable to all. In this matter, nobody can claim any special concession or favour.” (2)
Only revere Baba
Sadguru Baba is the only one whom we are to revere.
Ananda Marga Caryacarya states, “The one formless, beginningless and infinite Parama Brahma (Supreme Consciousness) is the only entity to be attained by living beings – That alone is Jagat Guru (the Supreme preceptor), That alone has revealed Brahmavidyá (intuitional science) to us through the medium of the name and form of Anandamúrtijii. Unit beings must be made to appreciate Its majesty.” (3)
References
1. Liberation of Intellect: Neo-Humanism, Disc: 2
2. Subhasita Samgraha – 24, Jaeva Dharma and Bhágavata Dharma
3. Caryacarya, Part 2, Sadhana, Point #1a
* * *
The below sections are entirely different topics, unrelated to the above material.
They stand on their own as points of interest.
* * *
== Section 2: Prabhat Samgiita ==
You are ever-present as Taraka Brahma
"Rúper meláy base tumi, arúp gán shuniye jáo..." (Prabhat Samgiita #3331)
Purport:
My Formless One, You have situated Yourself in the festival and grandeur of creation and have come in this colourful world in the form of Mahasambhuti. You are playing Your flute - singing Your song for me, emanating Your eternal call. Bathing Yourself in the ocean of created world (form rúpa sáyar), You resonate Your supreme sound of formlessness in my heart. From Your eternal formless stance of Nirguna Brahma, You come and have concern for me in both my suffering and happiness. You always watch for my well-being and express Your heartfelt love and affection. From time to time You come on this earth, into this world of form, as Mahasambhuti, but You are ever-present as Taraka Brahma and fill the heart with bhakti, infusing the irresistible urge to get You. My most adorable One, You have come into the world of form and showered Your karun’a’ by playing Your eternal flute.
Baba, Your sound - Your charming flute - resonates eternally in animate and inanimate beings, in flora and fauna, in mobile and immobile entities, everywhere. You saturate Your unparallel mamatá in every thought and in all expressions, in every work.
Baba, You play Your veńu / flute and by Your prema it vibrates in all atoms and in every molecule - in everything and everywhere. Parama Purus'a, You are the Na'dtanu of the ages who conquers the temporal factor. You are beyond time, i.e. Ka'la'tiita. You are immutable and remain in one unaltered state in all times: past, present, and future. Because of Your eternal characteristics, You are not only beyond the bondage of time (Ka'la'tiita), but also beyond the bondage of space (Desha'tiita), and beyond the bondage of form (Rupa'tiita).
Na'dtanu, Baba, I do sastaunga pranam at Your altar...
Notes for Prabhat Samgiita #3331:
[1] Rúper meláy: In the first line of the opening stanza of this song the term rúper meláy is used. The literal meaning of rúper meláy is festival of form, and the practical meaning is the entire creation, i.e. this expressed universe.
[2] Rúpa sáyare: In the second line of the opening stanza of this song the term rúpa sáyare is used. The literal meaning of rúpa sáyare: is ocean of form, and the practical meaning is the entire creation, i.e. this expressed universe.
[3] Tomár dhvani nitya báje: This phrase is related with the first line of the second stanza The overall sense of this relates with Parama Purusa, “Your sound resonates eternally.” And the more detailed explanatory and practical meaning is below:
Ananda Marga ideology states, “O human beings, you are fortunate. The clarion call of the Universal has reached you. Not only has the call come, but you are hearing it and it is vibrating in every cell of your body. Will you now lie in the corner of your house as an inert being and waste your time by clinging to old skeletons and bemoaning them? The Supreme Being is calling you in the roar of the ocean, in the thunder of the clouds, in the speed of lightning, in the meteor’s flaming fires. Nothing good will come from idleness. Get up and awake the clouded chivalry of your dormant youth. It may be that the path is not strewn with flowers and that inferiority complex will be attempting to hold fast your each advancing step, but even then you have to proceed onwards tearing the shroud of darkness. You will tear the thick darkness of despair as you advance in the racing chariot radiant with the Sun’s brilliance towards the attainment of the Supreme state.” (1)
[4] Mamata': Mineness; In Sanskrit “mama” = mine, and the suffix ta’ = -ness; hence “mineness.” To have equal or more love for something / someone than one has for oneself.
Ananda Marga ideology says, "What is the meaning of “mamatá”? Mama + tá = mamatá. Mama means “mine” and thus mamatá is the inner idea of being mine, the feeling that something is my own." (2)
Ananda Marga ideology guides us, "“Mamatá” means “mine-ness” – “Mama” means “one's own”, and the abstract noun derived from it is “mamatá” – meaning, thereby “mine-ness.”" (3)
For example, suppose you are suffering from a fever then naturally you will be concerned about your own health. You will try to cure yourself by going to the doctor and taking medicine etc. If you have mamata for someone else, then if they are sick with a fever you will have the same degree of care for their condition as your own. When one does sadhana then this sense of mamata grows and one ultimately has the feeling of mamata towards the entire created universe. Without sadhana, one’s sense of mamata will be extremely limited whereby one might only care about their own individual existence. So when the mind is extremely narrow one only has mamata for oneself. Those with a slightly broader mind will have mamata towards their parents and family members. And as the circumference of mind expands one will have mamata for other relatives and community members etc. However, it is only with sadhana that the periphery of mind can grow further and further wherein one’s sense of mamata includes all beings and expressions of this cosmos. Parama Purusa has mamata’ for each and every entity - this entire creation, all living and non-living expressions.
[5] Veńu / Flute: Ananda Marga ideology guides us, “The rhythm in which the vibrational flow of the cosmic mind vibrates the annamáya kośa of individual microcosms – veins, nerves, arteries, blood, lymph, etc. – is the initial stage of the divine cosmic sound. When this sound is heard in the anamáya kośa it resembles that of a cricket. When this cosmic sound vibrates the kámamaya kośa it resembles the sound of ankle bells. In the manomaya kośa it resembles a flute; ... in atimánasa kośa, the resonance of a gong; in vijiṋánamaya kośa the buzzing of bees or the rolling of ocean waves; and in hirańmaya kośa, a prolonged oṋḿ sound. Thus the cosmic sound is expressed in various ways according to the degrees of crudity or subtlety in relation to the fundamental factors. There are various physical and psychic expressions centring around the various degrees of cosmic sound. When one’s mind is confined to a particular stratum one hears the sound peculiar to that stratum only. A person who lacks concentration of mind cannot hear any expression of the cosmic sound. In the field of spiritual practice the divine sound is expressed in a spontaneous way.” (4)
[6] Na'dtanu: This is one of the countless names that describes one of the infinite attributions of Parama Purusa. Specifically Na'dtanu refers to that Divine Entity who is the Lord of all music and dance. That is, the One whose very body is made out of the na'da - the primordial sound - is Himself the Lord of the dance.
References
1. Subhasita Samgraha - 1, The Supreme Call
2. Ananda Vacanamrtam - 7, The True Nature of Bhakti
3. Ananda Vacanamrtam - 1, Pleasing the Lord
4. Ananda Marga Ideology Way of Life - 6, The Expansion of the Microcosm
== Section 3: Links ==
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